Pirated movie release types are the different types of pirated movies that end up on the internet. They vary wildly in rarity and quality due to the different sources and methods used for acquiring the video content, in addition to encoding formats. Pirated movie releases may be derived from cams, which have distinctly low quality; screener and workprint discs or digital distribution copies (DDC), telecine copies from analog reels, video on demand (VOD) or TV recordings, and DVD and Blu-Ray rips.

1History
- 1.3DVD and VOD ripping

History[edit]

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Pirated movies are usually released in several formats and different versions as better sources become available. The versions are usually encoded in the popular formats at the time of encoding. The sources for pirated copies have often changed with time in response to technology or anti-piracy measures.

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Cams[edit]

Cam releases were the early attempts at movie piracy which were implemented by recording the on-screen projection of a movie in a cinema. This enabled groups to pirate movies which were in their theatrical period (not released for personal entertainment). Alternative methods were sought, as these releases often suffered distinctly low quality and required undetected videotaping in movie theaters.

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Pre-release[edit]

Beginning in 1998, feature films began to be released on the internet by warez groups prior to their theatrical release. These pirated versions usually came in the form of VCD or SVCD. A prime example was the release of American Pie.^[1] This is notable for three reasons:

It was released in an uncensored workprint format. The later theatrical release was cut down by several minutes and had scenes reworked to avoid nudity to pass MPAA guidelines.
It was released nearly two months prior to its release in theaters (CNN Headline News reported on its early release).^{[citation needed]}
It was listed by the movie company as one of the reasons it released an unratedDVD edition.^{[citation needed]}

DVD and VOD ripping[edit]

DivX[edit]

In October 1999, DeCSS was released. This program allowed anyone to remove the CSS encryption on a DVD. Although its authors only intended the software to be used for playback purposes,^{[citation needed]} it also meant that one could decode the content perfectly for ripping; combined with the DivX 3.11 Alphacodec released shortly after, the new codec increased video quality from near VHS to almost DVD quality when encoding from a DVD source.

Xvid[edit]

The early DivX releases were mostly internal for group use, but once the codec spread, it became accepted as a standard and quickly became the most widely used format for the scene. With help from associates who either worked for a movie theater, movie production company, or video rental company, groups were supplied with massive amounts of material, and new releases began appearing at a very fast pace. When version 4.0 of DivX was released, the codec went commercial and the need for a free codec, Xvid (then called 'XviD', 'DivX' backwards), was created. Later, Xvid replaced DivX entirely. Although the DivX codec has evolved from version 4 to 10.6 during this time, it is banned^[2] in the warez scene due to its commercial nature.

x264[edit]

In February 2012, a consortium of popular piracy groups officially announced x264, the free H.264 codec, as the new standard for releases,^[3] replacing the previous format, which was Xvid wrapped in an AVI container. The move to H.264 also obsoletes AVI in favor of MP4 and Matroska that most commonly uses .MKV file name extension

x265 (HEVC)[edit]

With the increasing popularity of online movie-streaming sites like Netflix, some movies are being ripped from such websites now and are being encoded in HEVC wrapped in Matroska containers. This codec allows a high-quality movie to be stored in a relatively smaller file size.

Release formats[edit]

Below is a table of pirated movie release types along with respective sources, ranging from the lowest quality to the highest. Scene rules define in which format and way each release type is to be packaged and distributed.^[4]

Type	Label	Rarity
Cam^[5]	CAMRip CAM	Common; Quality issues make this an unpopular format
A copy made in a cinema using a camcorder or mobile phone. The sound source is the camera microphone. Cam rips can quickly appear online after the first preview or premiere of the film. The quality ranges from subpar to adequate, depending on the group of persons performing the recording and the resolution of the camera used. The main disadvantage of this is the sound quality. The microphone does not only record the sound from the movie, but also the background sound in the cinema. The camera can also record movements and audio of the audience in the theater, for instance, when someone stands up in front of the screen, or when the audience laughs at a funny moment in the movie.
Telesync^[6]	TS HDTS TELESYNC PDVD PreDVDRip	Uncommon
A telesync (TS) is a bootleg recording of a film recorded in a movie theater, sometimes filmed using a professional camera on a tripod in the projection booth. The main difference between a CAM and TS copy is that the audio of a TS is captured with a direct connection to the sound source (often an FM microbroadcast provided for the hearing-impaired, or from a drive-in theater). Often, a cam is mislabeled as a telesync. HDTS is used to label a High-definition video recording.
Workprint^[5]	WP^[7] WORKPRINT	Extremely rare
A copy made from an unfinished version of a film produced by the studio. Typically a workprint has missing effects and overlays, and differs from its theatrical release. Some workprints have a time index marker running in a corner or on the top edge; some may also include a watermark. A workprint might be an uncut version, and missing some material that would appear in the final movie (or including scenes late

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